During the European Middle Ages, paintings and sculptures tended to be centered on the religious issue, especially in Christianity. But as the Renaissance emerged, the focus of arts moved to classical past, seeking influence in Ancient Greece and Rome, leading to profound changes in both technically and in terms of motifs and themes of painting and sculpture (reclaimed wood wall art).
Less attention has been given arts productions of other civilizations, and even peripheral areas of Western civilization itself (as colonial America), regardless of considerations that may be of importance compared with that of central areas of western civilization . Such orientation is often accused of Eurocentrism by supporters of a global. Although the concept of arts is modern, it is perfectly usable in architecture, sculpture, painting and antique jewelry, and many of its real achievements arts and not mere utilitarian craft products. The formulation of Western classical aesthetics begins with the Greek and Roman cultures.
Many elements of Greek and Roman architecture were also adopted, but the great innovation of Renaissance architecture will be the improvement of construction of domes, highlighting the dome of Santa Maria del Fiore in Florence. Following the humanistic spirit of period, the arts turned to more secular themes, motifs looking at adding them to Christian themes classical mythology.
The arts during the Middle Ages was almost exclusively linked to religion, specifically Christianity. During this period, in which the vast majority of farmers were illiterate, visual arts were the primary means of communicating religious ideas with sermons. The Catholic Church was one of few institutions rich enough to pay for the work of arts, and therefore most of works of this period were religious in nature (conditioning the emergence of what is known as sacred arts).
The sculpture reached during the fourth dynasty absolute mastery of technique in elegant and realistic depictions of scribes and statues of pharaohs stately. Dominated the "law of frontal". The mural representations, embossed or paintings, represented by symbolic hierarchical approach and mythological images, royalty and, later, scenes of everyday life (in tombs of nobles). Predominant "canon profile".
Mannerism is a period of transition and profound crisis of arts. Young arts, raised in veneration of office of his great predecessors (Michelangelo, Leonardo and Raphael) believe most ofse achievements insurmountable. Alternatives to continue its wake are tested: imitate the style -the maniera, which names the based on further complicate foreshortening and contrasts, or look strange colors and harmonies, or represent allegories strange that even in his time were obscure to uninitiated.
Baroque arts is often seen as parts of a strategy of Counter or Catholic reform: the arts element of rise of spiritual life of Catholic Church. To some arts historians the emphasis Baroque arts gives grandeur is seen as a reflection of Absolutism. Louis XIV of France said: "I am the embodiment of grandeur", and many Baroque arts served kings seeking the same goal. However, the Baroque love of detail is often regarded as the result of excessive ornamentalism, somehow, vulgar, especially when the Baroque evolves into decorative Rococo style.
The Greeks are also responsible for a series of advances from the technical point of view of arts production. Greek arts par excellence was the sculpture: the Greeks developed impressively, and will be considered a role model for other cultures in same period.
Less attention has been given arts productions of other civilizations, and even peripheral areas of Western civilization itself (as colonial America), regardless of considerations that may be of importance compared with that of central areas of western civilization . Such orientation is often accused of Eurocentrism by supporters of a global. Although the concept of arts is modern, it is perfectly usable in architecture, sculpture, painting and antique jewelry, and many of its real achievements arts and not mere utilitarian craft products. The formulation of Western classical aesthetics begins with the Greek and Roman cultures.
Many elements of Greek and Roman architecture were also adopted, but the great innovation of Renaissance architecture will be the improvement of construction of domes, highlighting the dome of Santa Maria del Fiore in Florence. Following the humanistic spirit of period, the arts turned to more secular themes, motifs looking at adding them to Christian themes classical mythology.
The arts during the Middle Ages was almost exclusively linked to religion, specifically Christianity. During this period, in which the vast majority of farmers were illiterate, visual arts were the primary means of communicating religious ideas with sermons. The Catholic Church was one of few institutions rich enough to pay for the work of arts, and therefore most of works of this period were religious in nature (conditioning the emergence of what is known as sacred arts).
The sculpture reached during the fourth dynasty absolute mastery of technique in elegant and realistic depictions of scribes and statues of pharaohs stately. Dominated the "law of frontal". The mural representations, embossed or paintings, represented by symbolic hierarchical approach and mythological images, royalty and, later, scenes of everyday life (in tombs of nobles). Predominant "canon profile".
Mannerism is a period of transition and profound crisis of arts. Young arts, raised in veneration of office of his great predecessors (Michelangelo, Leonardo and Raphael) believe most ofse achievements insurmountable. Alternatives to continue its wake are tested: imitate the style -the maniera, which names the based on further complicate foreshortening and contrasts, or look strange colors and harmonies, or represent allegories strange that even in his time were obscure to uninitiated.
Baroque arts is often seen as parts of a strategy of Counter or Catholic reform: the arts element of rise of spiritual life of Catholic Church. To some arts historians the emphasis Baroque arts gives grandeur is seen as a reflection of Absolutism. Louis XIV of France said: "I am the embodiment of grandeur", and many Baroque arts served kings seeking the same goal. However, the Baroque love of detail is often regarded as the result of excessive ornamentalism, somehow, vulgar, especially when the Baroque evolves into decorative Rococo style.
The Greeks are also responsible for a series of advances from the technical point of view of arts production. Greek arts par excellence was the sculpture: the Greeks developed impressively, and will be considered a role model for other cultures in same period.
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