Botticelli paintings revise traditional procedures to adopt recent innovations. They use tempera grassa, a medium in which the egg yolk was modified by the addition of oil to make the paint more transparent. Botticelli followed the methods that had been perfected in the previous century, showing the conservativeness in his approach.
The finest pigments of the period were utilized in Botticelli paintings. They were applied in scumbles, i.e., thin and opaque layers. However, the reds and greens were glazed more often than not. These pigments produced an exquisite, enamelled effect, from its composition of infinite tonal gradations.
It is unfortunate to note that most of the Botticelli paintings have lost the fullness of their beauty over the years. This loss can be attributable to the fact that colors have a tendency to change nature, to become more transparent, as the years passed on. A prime example is copper resinate, which turns from green to brown, in an irreversible chromatic change, an excessive contrast and a loss of luministic gradation.
The most refined among the elements of Botticelli paintings are their flesh tones. They were demonstrations of Botticelli's being a superb draughtsman, as evidenced by the tensile lines characterizing the figures in his paintings.
Botticelli paintings showcased the skill of its artist with the media of chalk, pen, bistre and tempera. Botticelli was considered a pioneer in his use of paper tinted with roses, violets, yellows and grays. This established a middle value for figures, modelled up with whites in the light and down with darker colors.
Unique Botticelli paintings come in the form of the Dante illustrations which were executed only in outline. Actually, Botticelli intended to color them but did not find the time to do so. Comprising of 92 parchment sheets, they vary greatly in completion, some were not even begun.
The finest pigments of the period were utilized in Botticelli paintings. They were applied in scumbles, i.e., thin and opaque layers. However, the reds and greens were glazed more often than not. These pigments produced an exquisite, enamelled effect, from its composition of infinite tonal gradations.
It is unfortunate to note that most of the Botticelli paintings have lost the fullness of their beauty over the years. This loss can be attributable to the fact that colors have a tendency to change nature, to become more transparent, as the years passed on. A prime example is copper resinate, which turns from green to brown, in an irreversible chromatic change, an excessive contrast and a loss of luministic gradation.
The most refined among the elements of Botticelli paintings are their flesh tones. They were demonstrations of Botticelli's being a superb draughtsman, as evidenced by the tensile lines characterizing the figures in his paintings.
Botticelli paintings showcased the skill of its artist with the media of chalk, pen, bistre and tempera. Botticelli was considered a pioneer in his use of paper tinted with roses, violets, yellows and grays. This established a middle value for figures, modelled up with whites in the light and down with darker colors.
Unique Botticelli paintings come in the form of the Dante illustrations which were executed only in outline. Actually, Botticelli intended to color them but did not find the time to do so. Comprising of 92 parchment sheets, they vary greatly in completion, some were not even begun.
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